There are many textbooks which now have have some examples of combustion, which put it is probably the most "burning words." The process was very simple, very rough. If you are new to Photoshop, you may be surprised, can be a long day, you will find that this effect does not stand scrutiny! You do not like to persuade their people that this reluctance to float the plants looked like things like fire! It may look more like a melting molten steel. If the flame really as this is the case, I am afraid that people will be careful to use a lot more! In addition to matting, the Do not approach it? See the following chart, you will not think about it, maybe. (Figure Fire)
Highlights: stamp visible layer, style of filter, Gaussian blur, liquefied command, Hue / Saturation command, the application of mixed-mode layer.
1. Create a new 560x400 pixel document, with black as background color. Select the font tool, the color is white, in the Font list, select Times New Roman, set the font for the Rugular, size of 150Pt, the way anti-aliasing for the "strong"; if the ratio is not very satisfied with the font size, font spacing can be adjusted and freedom to adjust the zoom tool. You can also use a different font type, as long as the size of almost on the line. Canvas with the Move tool to move to the bottom. (Figure 01)
2. Note that we followed the method used, you may never know there is the use of Photoshop, although rare, it is indeed a very useful skill! In the text layer, new layer one, hold down the Alt key, click the layer with the mouse command, the drop-down menu to find "split visible layers", pay attention to Alt key and mouse are not loose, you will see that the new layers includes the following two-tier content, such as snapshots of history as a record of all visible layers of image content, merge them into a layer, the convenience of editing, while retaining the original layer is not destroyed. When you need to edit but do not want to merge multi-layer, this was a good way. I do not have the command menu in Photoshop to find the command, but in the history panel, you will see the name of the command is called "stamp visible layer", the shortcut key is Shift + Alt + Ctrl + E, in this case in this technique to be used many times. (Figure 02)
3. In the Edit> Transform, the layer 1 rotated 90 degrees, the implementation style of> the wind, by default, three consecutive. (Figure 03)
4. The Layer 1 90 degrees clockwise, back to the original position, with a soft Gaussian blur radius set to 4 pixels. (Figure 04)
5. Here we start a flame coloring. Using hue / saturation color command to layer 1, this layer we are in a bright orange, click on the "color", set hue to 40, Saturation 100. (Figure 05)
6. The Layer 1 copy, continue to use the Hue / Saturation command, the hue to -40, the other the same, you can see, this layer is now into the red. (Figure 06)
[Next]
7. The Layer 1 copy of the mixed layer to "Color Dodge", so that red and orange to get a good mix, the color of flame came out. (Figure 07)
8. To Layer 1 and Layer 1 copy of the merger to form the new layer 1, we have to describe the appearance of the flame. In Photoshop6.0 version above, there is a new feature, it is liquefied. With it, you do not using any filter can be easily deformed fluid effect. Command in the image, select "liquefaction" will pen the size of transferred 50, the pressure set at 40, the image depicted in the main flame, and then transfer a small brush and pressure, to draw other small flame. You can squeeze with the expansion and reduction tool, draw a realistic flame appearance. If not, hold down Alt, "Cancel" button will become a "reset", remember: you open the liquefaction command dialog box again, the last setting will be saved, you could just plays on the basis of continue. (Figure 08)
9. Well, then we should continue to be modified on the flame, so that its full integration within and outside the flame, the color uniformity of the transition. Select painting tools, with a medium to soft brush, the pressure set to 65%, lightly coated in flames, written to the changing size and pressure, to meet different needs. The appearance of the flame at the bottom of the font to be consistent and not change too much, otherwise it can not be a good combination and fonts. Also note the color of flame, from the outer to the center followed by red - yellow - white. This step is no difficulty, the key is patience and meticulous, from the previous step to this step, we need hand-painted, this is the painting where the most exhausting, and no lazy could steal it, you work it! (Figure 09)
10. Well, the appearance of the flame after the completion of the next work is easier. Copy the "Fire" layer, layer 1 will be moved to the top of a copy, the font color to black. And better integration for the flame, we can move some of the flame level down slightly, so that their basic alignment of the lower edge. (Figure 10)
11. Copy flame layer, (ie layer 1), move it to the font copy of the layer, the layer mixed-mode to "screen", so that the brightness of the flame increased. Click the Layers panel below the "Add Mask" button, as it adds a layer mask. After setting the color to black before the white, select the gradient tool, set the gradient type to "From the foreground to the background color" to create a gradient in the mask, gradient ranging from the Department of text at the top in the end, so that black characters are gradually revealed. (Figure 11)
Copy brighter layer, the mixed-mode to "screen", which is a common effect of nothing, the establishment of light. It is natural, soft effect, much better than using layer styles.
12. Flame around the smoke, and some transparent gas, which makes the flames look not so clear, we increase the number of fuzzy to simulate this effect. New Layer 2, in accordance with the method just stamp visible layer, Gaussian blur, radius of 50 pixels; the layer opacity set to 50%, mixed-mode "screen." (Figure 12)
13. Now the main part of the image has been completed, let us add some effects to it, make it look more realistic. New layer 3, another stamp visible layer, mixed-mode is set to "screen", opacity 60%, which we regard as a reflection. Select the magnifying tool, hold down the Alt key, and zoom function to reduce, in the map, click, until there is enough space around the image, as shown in Figure 13, reverse reflection layer, making it the top and the rest of the basic phase flame Then, a little gap but leaving a reasonable amount, so the effect will appear mysterious.
You are free to use this method on any object, as long as the triggering of an object with the shape of the path will be as a constituency, the other way and above the same. Now you also feel burning effects are so difficult to do it?
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